However, YouTube is like an iceberg, and visibly displays only a fraction of the damaging scenario since it is actually connected to by an incalculable number of world-wide sites by others who have posted URL links to specific Connie titles. When recording this announcement, there were quite literally, thousands of Connie Francis files on YouTube. You could also call the RIAA in Washington, DC at 20. If you are aware of anyone committing the illegal act of music piracy please go to and click on To Report Piracy. No offense friends, I love you, but I need your help to put an end to this sort of blatant and brazen piracy of my recordings. However, this too is an unauthorized and illegal use of my music. I understand that my fans want my music to be out there for others to enjoy. It would be even better if they would remove what they have already uploaded. I ask you please do not upload my music, or videos, or DVDs - both personal and private - on either YouTube or Facebook. There’s one more thing I’d like to ask my fans. Today they have the audacity to offer on one particular company a CD of mine that I own myself on Concetta Records, my own label! These are not authorized CDs – they are pirates, bootlegs. My CDs are being sold by the tens and tens of hundreds, thousands really, on the Internet by many unauthorized sources. Remember, these downloads go without any compensation at all to anyone: to the artist, to the composers of the song, to the publishers, to all those involved, and who helped to create that song. Well, that is an extremely low number than what it actually is. One study places the annual harm at $12.5 billion in losses to the US economy. Now, while downloading just one song may not seem like such a serious crime, the accumulative impact of millions of songs downloaded illegally has become devastating, not only to me but to every recording artist in the industry. I don’t know if you realize that it has become the number one biggest problem facing the music industry today, not to mention the file sharing of music. I’d like to talk about a very serious subject: music piracy or bootlegging as it is often called. Since that time, numerous other labels and independent entities continue to re-release my recordings both in the United States, in the UK and every corner of the world where records are sold.
I have been active in the recording industry since the age of 17, in the mid-50s, beginning with my first record label MGM. The booklet is lively, entertaining, and lavishly illustrated.This is Connie Francis, and I’d like to take a moment to speak with my good friends, my loyal fans and all other listeners of Baltimore Net Radio. This set is a major investment of time and attention, but it is rewarding - Francis is one of those performers who seems hardly ever to have recorded anything second-rate. Disc four is given over to her recordings of Irish songs and, more significantly, Francis' 1962 Twist album, including the first release of the risqué-sounding "Lovey Dovey Twist." Disc five features more of her Irish songs, as well as a number of hit singles, but the highlight is the previously "lost" original recordings from Francis' April 1962 sessions in Rome, which were believed lost when the accompaniments from those sessions were wiped and replaced by new orchestrations.
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Disc three is devoted to the rest of Francis' Nashville sessions, including her outstanding covers of movie theme songs (one of her top-selling albums) and the folk-type songs with the Jordanaires.
Disc two includes the rest of the Swinging Band album and also highlights her first Nashville folk-style sessions with the Jordanaires. Disc one has more highlights than most greatest-hits albums, notable among them a pair of unissued "Swinging Medley" tracks, and tracks from the most daring of all of her albums, Songs to a Swinging Band. By this time, Connie Francis was established as one of the top female vocal talents of her generation, and she was ready to experiment - you hear her successful move into country music, wonderful outtakes, and never-issued songs from her early-'60s sessions. Five more CDs of Connie Francis, picking up right where Bear Family's earlier White Sox, Pink Lipstick set left off, in 1960 - although its 300-plus minutes of music only cover the period of 1960 to 1962.
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